We are excited to announce the arrival of the addi® Olive Wood circular knitting needles! They are beautiful, strong, pointy and a must for any knitter!
Shop for the available Olive Wood circular needles now!
Transcription
Hi I’m Katie and this is your Makers’ Minute!
Today we’re gonna be talking about the new Olive Wood line from Addi. There’s been a lot of blogs about these items and we’re excited to finally have the circular needles in stock.
The reason everyone’s excited about this product is because not only is the wood beautiful, but they come from olive trees that no longer bear fruit. So instead of just destroying the tree, they actually recycle, into beautiful needles.
The marbling on these needles are truly beautiful and unlike anything out in the market. Additionally, the tips are pointier than regular bamboo needles. And overall, the wood is more solemn, making for a stronger, working needle. These needles are polished to perfection, and while they are stickier than a metal needle, they’re actually more slicked than a bamboo tip needle.
Enjoy shopping for the full line of circular needles that are currently in stock at MakersMercantile.com.
For an introduction to what goes on in this column, click here.
For the first part of this adventure, and to find out who the heck Mary and Sylvia are, click here .
Of the two scarves, Sylvia’s was the tougher nut to crack. Her taste is miles from mine. Though I love the way she puts herself together, the individual pieces themselves usually leave me, at best, puzzled.
“What is this?” I’ll say, picking up one of what appears to be (maybe?) a collection of vintage teething rings from her dresser.
She, fluffing her hair in the adjacent bathroom, peeks out and says, “Oh, yeah! Aren’t those great? I found them at a plumbing supply place that was going out of business.”
“Are they…for plumbing?”
“I don’t know. I didn’t ask. I’m going to pile them on like a bunch of bangle bracelets.”
So she does, and I silently swear she has really gone too far this time. Then I spend the rest of the evening listening to people scream compliments at her amazingly cool choice of bracelets.
It makes you feel stuffy and hidebound for not thinking to trim your spring hat with a U-bend and a couple of old faucets.
Something for Sylvia
My challenge was to weave something on the Zitron TrekkingXXL warp that would play well in the sartorial Halloween fun-house that is my friend Sylvia’s wardrobe.
Sylvia Fowler, of course, is the kookiest dresser of all the women in The Women,
but not because her clothes are wildly eccentric. They’re not. But they do take risks that set her apart as someone who likes to be noticed. Insists upon being noticed.
In a world full of tall hats, Sylvia’s are the tallest.
When I imagined Sylvia’s scarf, I figured it had to somehow call attention to itself through texture. But how, exactly?
Testing the Ground
When I sampled for the color-and-weave portion of Sylvia (if you don’t know what color-and-weave is, do see the last installment) something happened that almost never happens.
I liked the first thing I tried.
My starting point, of course, was the “two red, two buff” warp that formed the basis of Mary’s houndstooth. I knew by changing the order of the colors in the weft, I could get a bunch of different fabrics.
Thinking to start simple, I wove a few inches with nothing but buff.
That was it. You know it when you see it, and I saw it. The little dotty stripes reminded me of one of my favorite Sylvia costumes–the pinstriped dress she wears to the fashion show.
This fabric, I realized, could serve as a simple foil for some really eye-catching textural effect–much as the relative restraint of Sylvia’s dress allows her to go completely cuckoo with that flouncy headgear and still appear elegant.
Flouncing
What kind of textural effect?
There was a technique I had been wanting to try out, which I’d seen written up in any number of books and Web sites, for a loop pile weave.
There are quite a few ways of getting loop pile. This method was supposed to be easy and relatively quick, but not suitable for fabrics liable to be tugged and pulled a great deal.
I sent Sylvia a text.
ME: DO YOU TUG AND PULL AT YOUR CLOTHES A LOT?
SYL: WHAT THE HELL ARE YOU TALKING ABOUT?
I decided that was a “no.”
Simple Loop Pile Weave
So here’s what you do.
Step 1. Throw a pick with your pile color (in my case, red). Keep it nice and loose, and do not beat it or change the shed.
Step 2. Get yourself a knitting needle, a wooden dowel, a long pencil–something of a cylindrical nature, in other words. The bigger around it is, the bigger your loops will be, and it needs to be a longer than your weaving is wide. I used an eight-inch US 11 (8 mm) addi®FlipStix™ double-pointed needle, which proved ideal.
Reach between the first two raised strands of the warp with your fingers and pull up a loop of your weft pick. Place this loop over the knitting needle (or whatever).
Repeat this step, making a loop for every pair of raised warp threads in the shed. It’ll look something like this.
Step 3. Without removing the knitting needle (or whatever), beat. You won’t be able to beat completely, of course; just do what you can.
Step 4. Gently remove the knitting needle (or whatever) and beat again, firmly.
Step 5. Change shed and throw a plain pick (in this scarf, that’s another pick of red). Beat firmly. Because this type of loop pile isn’t perfectly stable, this plain pick between all looped picks is vital. Without it, your fabric will just sort of fall apart.
Repeat from Step 1 if you want to make another row of loops.
Well…
Off I went, working two inches of color-and-weave (using the buff only, but carrying the unused red yarn up the right selvedge all the while).
Then, four picks in red: a looped pick, a plain pick, another looped pick, another plain pick.
That was my repeat, ending the scarf with two inches of color-and-weave.
The fabric certainly didn’t look like anything I’d made before.
It was so different, I didn’t know if I liked it or not. I honestly could not tell.
So I sent a picture of it to Sylvia in a text message.
ME: WOULD YOU WEAR THIS?
SYL: YES. LOVE IT. WHEN CAN I PICK UP.
ME: IT’S STILL ON THE LOOM.
SYL: GET YOUR [REDACTED] IN GEAR. I KNOW WHAT I WANT TO PAIR IT WITH. BY NEXT THURSDAY WOULD BE NICE. KISSES.
Or…is it?
Because in two weeks, we have to talk about the finishing.
Tools and Materials Appearing in This Issue
Zitron Trekking XXL (75% New Wool, 25% Nylon; 3.5 oz/100g per 459 yds/420m). Colors: 210 (Buff) and 240 (Red).
He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat.
Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue Knitting, Yarn Market News, Interweave Knits, Interweave Crochet, PieceWork, Twist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.
He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).
Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.
If you’re looking for a quick and easy way to pick up stitches, this Makers’ Minute will show you how! Using the addi® Click Crochet Hook Accessory Set, you’ll see how easy it is to pick up stitches and start knitting right away on your addi® Click needle tips!
Browse the addi® Click Crochet Hook Accessory Set
Browse addi® Click Sets
Browse addi® HeartStoppers
Browse HiKoo® Rub-A-Dub
Transcription
I’m Katie Rempe here with your Makers’ Minute.
Do you hate picking up stitches? Well, not anymore. You’ll be amazed just how easy it is to pick up stitches using the Addi Click Crochet Hook Accessory Set.
Let’s try it. Remember, the Addi Click Crochet Accessory Set does not come with cords. This is the perfect opportunity to use the cords that are coming to your Addi Click Set. Adding a heart stopper, and you can do almost anything with knitting.
Connect your Addi Click Crochet Accessory Set Hook to the cable. On the other end, put an Addi heart stopper.
For contrast, I’ll be picking up in this green color. Simply insert the hook into the fabric, pull up a loop. Insert hook into the fabric, and pull up a loop. Once all your stitches have been picked up, simply slide the stitches onto the cable, and replace your hook and Addi heart stopper with your knitting needles to match your gauge.
Now you’re ready to knit your next round and you haven’t missed a step. Ready to get this technique to try, visit MakersMercantile.com for all the supplies.
What do you get when you obtain a 16 micron wool yarn? Feinheit! Katie shows you this amazing yarn by Zitron that’s as soft as cashmere that you’ll love knitting, crocheting, and weaving with. Available in 20 amazing colors!
Hi! I’m Katie Rempe and this once again is your Makers’ Minute!
Today we’ll be talking about the softest wool yarn you’ve ever felt in your entire life – Zitron’s Feinheit Ultra-Fine Merino.
Each hank of feinheit weighs in at 100grams and just under 400 yards to make the possibilities of this fingering weight yarn almost endless. You’ll find any excuse to knit with this yarn as it is 16 microns, making it as soft as cashmere, but it’s wool. Feinheit is perfect for adult projects and baby projects as its 100% super-washed merino and was tested against harmful substances. So if you wanna take a bite, feel free.
Available in 20 amazing colors, you’ll find any excuse to knit with more than 100 time. For instance, we did up this Drachenfels by Melanie Berg using three different colors of feinheit. It’s so soft and luxurious, I don’t think I’m giving back the sample at the end of the video.
So pop on over to Makers’ Mercantile or MakersMercantile.com to see which colors you can’t live without. I’ll see you next week!
For an introduction to what goes on in this column, click here
For the first part of this adventure, and to find out who the heck Mary and Sylvia are, click here.
Lots of weave structures could be used to produce two different scarves on one warp, but I wanted to play with an effect called color-and-weave.
Simply put, color-and-weave means a pattern that emerges because of a combination of light and dark threads alternating in a particular order in the warp and in the weft. Make sense? No? Don’t worry. We’ll go deeper into that in a bit.
Something for Mary
One of the most famous varieties of color-and-weave happens to be a fabric I’ve always wanted to make, and a fabric eminently suited (no pun intended) for our first recipient, Mary.
We noted last time that Mary’s style is simple and tailored, frequently influenced by menswear. A classic menswear fabric might make the perfect scarf for her; and in her first scene, one appears. Not on Mary, but on her daughter–the uncreatively named Little Mary.
Little Mary was played by Virginia Weidler, who had an absolutely inexplicable career as a child actress in the 1930s and 40s. She is the only person in the cast who turns in a more wooden performance than Norma Shearer, which perhaps makes her presence somewhat more explicable.
…more specifically, of the small variation of houndstooth that is sometimes called puppytooth.
How to Make Houndstooth: Choosing Colors
When I first tip-toed into weaving, I got very fizzy and bubbly when I found out a legendary pattern like this was, in fact, simple enough to be readily made by a beginner. Here’s how it works.
First, we pick colors. I chose Zitron Trekking XXL in color 240 (Red) and color 210 (Buff) for two reasons.
Reason One: I really wanted the pattern to pop, which meant I needed my colors to have high value contrast. One needed to be very dark in value, the other very light. To see if the difference was strong enough, I looked at the yarns using the black-and-white setting on my camera. For a bold look, they need to appear distinctly different. The greater the difference, the more legible the pattern.
Yup. That’ll work.
Reason Two: That luscious red reminded me of reds as they showed up in glorious Technicolor, and even though The Women is in black and white (except for the famous fashion show sequence), the entire plot is set in motion by a shade of nail polish called Jungle Red.
To get a balanced weave* with a fingering weight yarn like Trekking, I needed to outfit my Schacht Cricket rigid heddle loom with a 12-dent reed; it allows the strands of the warp to sit closer together than the 8-dent reed that comes with the loom when you buy it.
The warp plan itself? Ridiculously simple: two red strands, two buff strands. Repeat. That’s it.
Mind you, for two scarves on one warp, my warp had to be very long. And this time, I did my advance calculations like a good boy to figure out how long.
The length I needed just barely fit into the longest room available to me. Any longer, and I wouldn’t have been able to use the direct warping method – which would have been fine, but that’s another column.
I did a lot of walking that morning.
It’s probably a good thing I don’t have cats.
How to Make Houndstooth: The Weft
Once your warp is in place, you weave the colors in the same order they appear in the warp: two picks (passes) with the red, two picks with the buff. Repeat.
The structure of my fabric is plain weave–the warp goes over one thread, under the next–which on my Cricket loom means simply moving the heddle up and down, up and down.
It seems like there ought to be more to it, but there isn’t. *Over and back with the red, over and back with the buff. Repeat from *.
When changing colors at the right selvedge, I kept things neat by always picking up the new color under the old color–rather like carrying yarns up the side of a piece of striped knitting. In the photograph below of an early sample for the scarves (yes, I sampled!) the buff (which is in use) is catching the red (which is not).
A small detail, but in weaving as in all things, little details can make a big difference.
For this project, I graduated to a pair of Schacht 11-inch slim open-bottom boat shuttles, which worked beautifully with the Cricket. You could absolutely do this weaving with the same stick shuttles I used here, but boat shuttles are smoother and faster. Note that they carry the yarn on bobbins–so if you decide to use them you’ll also need a bobbin winder.
And look! Look!
You know those moments in your life when you’re excited to try something new, but you really worry it won’t work, and then it does work? And you can’t believe you did it? This was one of those moments.
How Long Is Long Enough?
Since I needed to get two scarves out of this warp, for the first time I couldn’t blithely weave to the end and then call it quits. I had to make sure Mary’s scarf was long enough, but not too long.
There are many methods for doing that, but the one I chose was simply to place a stitch marker (I like the safety pin or locking ring types–they’re readily available from good yarn shops) in the right-hand selvedge every six inches. At any time, to figure out how much you’ve woven you count your markers.
Coming Up…
In two weeks, we’ll look at the weaving of Sylvia’s scarf.
11-inch Slim Open-Bottom Boat Shuttle by Schacht Spindle Company
The Women (1939). For information on sources, visit the official IMDB page. Yes, there was a remake in 2008, but please don’t ever bring that up in front of me again.
He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat.
Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue Knitting, Yarn Market News, Interweave Knits, Interweave Crochet, PieceWork, Twist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.
He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).
Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.
In this Makers’ Minute, Katie shows off a variety of ways that knitting and crochet yarns are sold, and if they need to be rolled into a ball first. Yarn can comes in a skein, hank, ball, cake and even cones!
Purchase the featured yarns by following the links below!
HiKoo® Simplicity
Schoppel Alb Lino
HiKoo® Kenzie
Transcription
Hello! I’m Katie, and this once again is your Makers’ Minute!
Today we’ll be talking about the different ways that yarn gets delivered into the hands of the knitter. That’s right, I’m talking about the old ball and skein.
Well, this one comes in a ball and is ready to knit, not all them do. I’m gonna show you the differences.
The next thing you’ll probably see is a hank. A hank for anyone who’s a new knitter, has to be round into a ball before you use it.
Step one, you wanna take this out of the hank. What’s the best way to roll this into a ball? You can simply place this on the back of the chair, or have a friend hold it. Then you wanna look and find these little ties that are holding it together. Go ahead and just clip off the knot and you’ll find both ends. Pick an end and start rolling into a ball. Now if you’re purchasing yarn like this at a yarn store, they probably have a ball windering swift to roll into a ball for you.
This yarn, tea cakes by haiku, comes in a cake. No need to roll this into a ball, just find the end, and go. Another available option is a skein, looks a little similar to a ball but has this oblong shape. No need to roll this one into a ball. Then, a would not quite as popular you may find yarn that comes in a cone. There’s another option or gear to weavers or machine knitters and that cone’s gonna look something like this.
I hope you won a ball during this Makers’ Minute and I’ll see you next time here at MakersMercantile.com.
