Category: Weaving it Together

We have arrived at our final destination - the sixth wrap made using the  Hippie Galazie Weaving Works Kit.

Read about the previous projects:

Wrap #1
Wrap #2
Wrap #3
Wrap #4
Wrap #5

It all started with a box of yarn……

which after 6 projects now looks like this:

This final project began with a black warp of doubled 8/2 cotton. Width on the loom was 15” with a length of 90”. Then came the sitting and looking at this completely blank canvas. Inspiration struck, I remembered seeing mini scratchboards that my Grandchildren were working with. Wow, this warp looks like a giant 15x90” scratchboard. How cool is that? Thinking of all those colors that could be lurking beneath the surface, sparked the idea of squares and rectangles, some connected and some becoming fringe on the sides of the warp. Why should the ends of the wrap have all the fringe fun?

For the planning on this project, after sketching and re-sketching, I used a string pattern marked at every 10” (see blog post number 3 for an explanation of a pattern string). Because I was down to small amounts of each color it was important to know each color would have its own space on the warp. The first supplementary color is color #1 and the design was planned to use each color in its own approximate 10” space. This was continued until color #10 was used. As you can see in the pictures some of the colors had fewer shapes in the design.

This wrap is woven with 8/2 cotton doubled with the Hippie Galaxie (HG) yarn as supplementary weft. Every weft pick is done with the 8/2 cotton, with an additional partial pick of the HG color. The partial pick will come up out of the warp and lay on top of the warp as you beat the pick. Change sheds and after a pick of 8/2 you will send the shuttle back into the warp and come out again on the other side of the supplementary design.

When you decide you want to add a fringe at the edge of the warp, you will need to leave a tail of about 6” each time you come to the edge. I used a narrow rectangle for each fringe with approximately 4 weft picks to give me 4 ends to twist into fringe.

Wrap Specifications

Off the loom: 14 ¼” x 75 ½” plus fringe

After Wet Finish: 13 ¼” x 70” plus fringe

Finishing

The ends are hemstitched and then trimmed to 2” for straight fringe after wet finishing.

I hope that this idea inspires you to try working with a supplementary weft. Enjoy and weave on, and on, and on…….

Resources

Hippie Galazie Weaving Works Kit
Maurice Brassard 8/2 cotton
10 dent heddle
Lola Bobble Box
Zitron Extra Klasse

Still exploring how many wraps can be made out of one  Hippie Galazie Weaving Works Kit, the adventure continues with the FIFTH wrap! 

Read about the previous projects:

Wrap #1
Wrap #2
Wrap #3
Wrap #4

Hello and here we are again. Another wrap? Although it really does make a beautiful wrap, this time I thought we needed another option. How about some stripes for your table?

Once again, this fabric was made using the Hippie Galaxie magic box of yarn. This is the fifth piece from the box. When I started warping my loom there was a loose plan on the size of the stripes. This will vary depending on how much yarn you have left in each color. Planning out the stripes on graph paper will help, you know how many ends your heddle will hold and how many colors you can use. This piece was woven on my Ashford RH 16” loom. The total number of ends are 159 using a 10 dent heddle on this loom. I highly recommend that you note how many ends each of your heddles will hold. This will help you in your design process.

Remember to add the color Black (8/2 cotton doubled) to the number of ends you are calculating.

Warping the Loom:

Warp Length 90”

Width on Loom: approximately 15 1/4” in a 10 dent heddle with a total of 156 ends

This photo shows the final stripe sequence.

The width of the color stripes is controlled by the amount of yarn I had left. There was a lot of scribbling and warping and unwarping before I was happy with the stripe sequence. At times when I am trying to design a pattern, the loom is my design board. Maybe that sounds like more work than designing on paper, but it helps my process to use the materials that will create the final fabric.

There are several ways to go about putting the stripes on the loom. You can start at the center and design out from there or begin on the right or left edge. Remember this is your project and my ideas are just that, ideas and there is no right or wrong. Your thoughts and ideas may lead you in a completely different direction. Just remember to keep your notes, as these will help inspire you on future adventures.

Tying on your Warp:

For this piece I wanted fringe at each end. When I had the heddle threaded and ready to tie on, I used the simple tying on to the apron bar method. That gave me the option of using the fringe or not. I did hemstitch after spreading the warp. This would give me the option of twisted fringe or just trimming the ends, leaving 1 ½” length of straight fringe on each end.

You may not want long fringe on a table runner, since that can lead to messy accidents if the fringe catches on something or someone or possibly a curious and fun-loving cat or dog.

Another optional finishing technique would be turning under the end twice and hemming either by hand or machine. You could also use a contrast fabric to finish the end and turn under one time and stitch.

Hemstitching:

Hemstitching the ends can be done while the piece is on the loom or after you have removed the piece from the loom.

The picture above shows hemstitching done with a single thread of 8/2 cotton. The next picture shows the hemstitching done with 8/2 cotton doubled.

Weaving the Stripes:

Measuring and Finishing:

On the loom this piece is 90” x 15 1/4”

Off the loom and after wet finish the piece measures 70 ½” x 14 ½” with an additional fringe length of 5”

The table in the photo, when opened completely measures 60”.

Enjoy using your beautiful stripes! And……weave on and on…….

Coming soon…….Galaxie Scratch Board Wrap, project number six.

Resources

Hippie Galazie Weaving Works Kit
Maurice Brassard 8/2 cotton
10 dent heddle
Lola Bobble Box
Zitron Extra Klasse

When this journey began, the plan was for three wraps. You can read the first post HERE, and the second post HERE, and the third one HERE. When these wraps were complete, the box was not empty, so the journey continues.

When you sit down to your loom, you are the artist the dressed loom is the canvas and the weft yarn you choose is your paint. There are so many different types of materials and with so many design weav-abilities and combinations, it can be overwhelming. This project let me focus on creating many different patterns with the same materials.

You can get the Hippie Galazie Weaving Works Kit HERE.

A new warp:
Single ends of Maurice Brassard 8/2 cotton in black
12 dent heddle
80” warp
Width in heddle 15”

Weft:
8/2 doubled
Lola Bobble Box in Hippie Galazie all colors

Additional texture using black mohair (Zitron Extra Klasse) wound with one strand of 8/2 cotton on an additional shuttle.

This photo shows the beginning textural section. Using a measuring string pattern with every 10” marked helped me keep track of my spacing.

This project is using the colors in the Bobbel Box that are left from the first three projects. This example is to give you an idea for using the remaining yarn. The amount of yarn that you will have left greatly depends on the way that you weave and the width and length of the warps that you have already put on your loom.

This is just off the loom before wet finished to give you an idea of the color placement and texture sections. As you can see I was a little more generous with my colors at the beginning of the warp (the first colors are the yellow/orange group).

When I started weaving there was really no color pattern, also, I had more yarn in some colors. As I was winding shuttles I separated them into groups, I saw a fire section, rainbow section, an ocean and ocean sun section. One color group leads into another divided by textural shadows. This idea is only a place to start!

This project uses a technique called hatching. There are a number of different ways to create hatching. This technique is created with at least two colors and are overlapped or butted up against each other in the shed. If they are to butt up against each other both colors are used in the same shed. If they are to overlap only one color is used in the shed at a time. In this warp the colors are overlapped, I wanted a constant contrast of color and shadow, so the black weft always begins on the right and the color weft on the left in the warp.

When you are using this technique the shuttle will come up out of the shed in the spot you want the color to end. Beat the pick in place and change sheds, then send the shuttle back to the same side of the warp it came from.

For Example: the shuttle with the color will come from the left side of the warp and come up out of the warp at the spot you have decided upon. Beat the interrupted pick into place and change sheds. Send the shuttle back through the new shed to the same side (the left) of the warp, making sure to catch the warp thread closest to the thread where your shuttle came out of the warp. Beat the pick into place and change sheds. Now send the shuttle with the black thread from the right side of the warp and overlap the color, bring the shuttle up out of the warp. Beat into place and change sheds. Insert the shuttle into the new shed, again making sure to catch the warp thread, and out to the same side of the warp (right).

This project was inspired by the Sunset Shawl by Judith Shanagold

References for Hatching:

Handwoven Loom Theory rigid-heddle scarf collection (ebook) Sunset Shawl by Judith Shanagold

Tapestry Weaving by Kirsten Glasbrook

When weaving the black intermingled with color I used the 8/2 cotton and mohair wound together. In the black sections there are wide stripes alternating with 8/2 cotton wound double on a shuttle and the shuttle with the 8/2 cotton and mohair.

This wrap was designed as I sat down to weave, but next time I may do a little planning with colored pencils on graph paper to see other ways to apply the techniques of interrupted weaving.

Finishing the Wrap:

My vision for the wrap was a loose fitting somewhat poncho style wrap. Since the warp was lashed onto the front with no extra warp for fringe, I left enough warp at the end to use for twisted fringe. To add another pop of color I cut pieces of the Bobble Box yarn to add to the fringe. To make this easier, I will secure the warp with knots all the way across and then add the color to each section. You will need to cut the yarn double the length of the existing fringe, thread it onto a tapestry needle and thread it up and then down through the knot before twisting the fringe.

Next, I finished the end without fringe by zigzagging with my machine and then finishing the edge with silk ribbon.

Next step is to place the ribbon end overlapping the edge of the wrap at the fringe end as seen in the above photo. This will become the wrong side.

The photo above shows the right side of the wrap.

And that is the story, but is it the end of the journey……?

Stay tuned for more weaving adventure.

Cynthia

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Hello again weavers,

Just a little note to let you know we are still adventuring along on the More than a Mile-long Hippie Galaxie path. In other words, a very colorful journey. You can read the first post HERE, and the second post HERE. I hope you enjoy this new project, it was a lot of fun to make!            

When I was originally thinking about the idea of using color blocking for this wrap the idea was huge! I envisioned a large wall hanging of Mondrian type color sections divided by black lines of various sizes. So, I needed to pare it down to a doable size for a Rigid Heddle loom idea. Changes were made and I sliced the middle out of the original idea and came up with Not Quite Mondrian. When you look at it perhaps you can see the rest of the original plan.

To simplify the pattern, I left out the vertical solid black lines that were part of my original vision.

The next photo shows my final design decision. Get out those colored pencils! Yes, it is in my notebook - you know how much I love keeping records! You can download the free Weaving Project Page HERE.

The color blocking is made possible by a tapestry technique called single weft interlock. There are a number of different ways to execute this technique, I have also seen it referred to as interlocking weft and discontinuous weft. This also means that you can have more than 2 colors to a pick to create blocks of color. That’s where the simplification came in for this idea, I reduced the number of sections and so reduced the number of colors that needed to interlock with each other in a single row. If I had left the vertical black lines in the design, there would have been three or four colors to each pick. That being said, I encourage you to  experiment with variations of this technique.

Weft interlock is really a family of techniques.  Each technique using 2 or more colors that come together either in one shed or a combination of sheds. Each throw is not a full pick of the weft thread, they are interrupted either by another thread or by stopping within the warp itself and venturing off into a new direction.

For this design we are interrupting the pick in the approximate center of the warp using one color from the right and a second color from the left. Both colors will come up out of the warp in the same spot: 

The warp is then beat into place. Change sheds, interlock the two colors... 

...and then go back through the new shed to each respective side of the warp. Beat the pick into place and you have completed 2 picks of 2 colors each.

This technique also creates a definite right and wrong side to the fabric. I like both sides, one has more texture the other is smoother after the wet finishing process. The top side (the top of the cloth on your loom) is referred to as the wrong side.

The next two photos are taken after the wet finish process. The first is the top or wrong side of the work, the second is the reverse side. You can see the textural difference. Since this project became a closed loop scarf, you will see both sides. But my chosen side is the one with more texture and that is the side with the fringe.

Scarf Specifications

When winding the color shuttles, you will need two at a time. After securing the first color to the shuttle, begin winding onto the shuttle counting every time you make one full rotation around the shuttle. For this color plan I counted to 20 and cut my yarn. This shuttle is loaded and ready to weave. Move onto the second color and wind the same way. This plan allowed me to have less waste on the shuttle and fewer smaller pieces of yarn, since you are using the shuttle until it is empty. You will also need to wind a shuttle with the 8/2 cotton doubled to use in between the color blocks. Depending on the way that you weave, you may want to add more yarn to your shuttles. Also, you may want to change the size of the black stripes that divide the color blocks and that will affect the amount of color. The 10” sections are just a guide to spread the colors more evenly throughout the scarf.

Begin weaving with a waste yarn to spread the warp and use waste yarn at the end of the warp.

Remember, this is only an idea! A place to start……the loom is your canvas, your thread is your palette, you are the artist.

Weave on……..

Finishing

When you are removing your warp from the loom make sure to keep your waste yarn in place. This will make it easier to complete your fringe. This scarf is finished as a continuous loop held in place by the knots at the edges of the warp.

Notes for Happy Warping (I love being warped)

When you have finished warping your loom and have tied the warp at the peg end, DO NOT CUT the warp loops at the peg. Just slip the warp off the peg and proceed to winding the warp on the loom using your preferred separation materials. Once you have your warp wound on and you begin to thread your holes cut only one loop at a time before threading. This may take a few more minutes but the rewards will be well worth doing it this way! So, you are wondering why, as you have noticed the yarn is made up of four individual threads not plied together. While this is one of the things that makes this yarn so great for weaving, it can also cause a bit of a problem with your warping. If you cut all the warp ends at one time you run the risk of not pulling the correct threads together when you thread the holes resulting in a not well-behaved warp (yes, I have had this experience).

When you have finished threading the heddle, its time to tie onto the front with your preferred method. You will be using the tie on ends for your fringe, so if you are tying the ends directly to the front apron bar make sure you have about 5” in the tie on. Spread your warp with waste yarn, this is my preferred method as it makes it easier to control the threads when I am knotting for fringe especially if I am not doing a hemstitch.

However, for this project I did hemstitch and then created the twisted fringe. I liked how the mohair looked in the basic hemstitch design.

But first, we need to weave our wrap! This is a lightly beaten weft, so when you beat your weft pick you are doing it gently. It is more of a placing of the weft at the fell line.

When you begin your weaving I highly recommend that you create a string measuring tool for your work. You can also clip a measuring tape to the warp, but I find that this works better for me. I use a contrast, cut to the length I need, piece of crochet cotton. To measure for this project: leave a 4” tail and tie a knot, then measure 90” from the knot and cut. The knot and tail will be threaded in the first row of weaving, using a tapestry needle thread the tail into the waste yarn for a few inches to secure.

This little string will answer the question “How far have I woven and how far do I have to go?” Make sure that you have recorded the length of the string on your Project Page along with all the other information you will need in the future. Such as, your materials, your heddle dent and width of project.

When you have woven far enough that you have the apron bar wound forward so you can see how much warp you have left, leave enough for fringe and put in a few picks of waste yarn to secure the warp. If you hemstitched at the beginning you can do that now before you remove the warp, if you decide after removing your warp from the loom that you want to hemstitch you certainly can!

Remember to measure your woven fabric after removing from the loom, and record on your project page. I like to twist the fringe before the wet finishing. Once you have finished the fringe, and woven in any ends, you are ready to wet finish. For this wrap I did a tub soak using Eucalan, while it is in the water I give it a few squishes to help encourage the fibers to work together and then let it soak for about 30 minutes. Then I squeeze it and then roll it up flat in a towel or two and hang to dry, I usually put it over the shower curtain rod. Yes, you can dry it flat, but here in the Pacific Northwest it dries better hanging. I do move it around a few times to keep it from getting kinked. And, I get to interact with the fabric and smile.

The information in this post is a guideline for your wrap. Weaving is a personal and individual process. You can make it wider narrower, longer or shorter! Remember you will have to adjust the amount of yarn you have for the weft. If your warp is wider or longer you will need to purchase an additional ball of weft yarn.

This picture highlights the airy and light nature of the fabric created by using the Lola and mohair together.

I hope you enjoy working with this amazing yarn, and remember this is only the first stop on our Lola Bobbel Box journey.

Weave on,                          

Cynthia          

Products mentioned in this post: