The key to what, you ask? Success? Change? Happiness? Love?
Choose your goal and move forward stitch by stitch as you create the repeating large-scale skeleton key motif in the Unlocked cowl.
In this KAL sponsored by skacel, Kyle Kunnecke guides you with helpful video instruction that clearly demonstrates two-handed knitting, working with two colors at once, and his favorite technique, locking floats.
HiKoo® Concentric is used in this project because not only does it shift in color, but it is also made of luxurious 100% Baby Alpaca. The resulting fabric is soft, lightweight, and cozy.
We will venture into the world of large expanses of negative space within the motif of this cowl. This provides an excellent opportunity to learn (and master!) locked floats in the round.
The Unlocked cowl is worked from the bottom up and requires knitting knowledge including: cast-on/bind-off, knit/purl, reading charts, securing/locking floats; all on circular needles.
Join the Knit-Along and spend time with other makers in the forum. Kyle also designed a very limited edition project bag for this KAL. Want one? The first customers to purchase two cakes of HiKoo® Concentric will receive the bag and a custom stitch marker in addition to a download code for the pattern as a thank you for signing up early.
Now through March 31, 2020, any customer who purchases two cakes of HiKoo® Concentric will receive the pattern as a free gift.
In the forum, Kyle will check in and offer information and support as you craft your way to completing this beautiful cowl.
Those who learned to crochet at mama’s knee are welcome to snicker, but they were a tough nut for me to crack. I was brand new to crochet. I knew nothing. And so often, the answers I got from crocheters to whom I appealed for help were, shall we say, opaque.
One authority’s response was, “Granny squares? Oh, they’re easy. Just a ring and then double crochet and make sure to work four corners. You can do more corners or fewer if you want a different shape. Okay? Bye.”
I was reminded of a Victorian knitting pattern in my collection that instructs you to make a baby’s jacket by first casting on “stitches sufficient to reach around the baby.”
In any case, after poring over a pile of crochet books, and going so far as to draw maps for myself,
I did finish six granny squares and assemble them into a multi-purpose accessory for the bath. You can see it here.
But I still hadn’t made myself the sine qua non of granny-based fabrics: a blanket.
Since this space is supposed to be the place where I try new stuff while people watch, it made sense to ask Makers’ Mercantile if I could use one of the newer HiKoo yarns, Concentric, for my blanket.
HiKoo Concentric is interesting stuff. It’s spun from 100% Baby Alpaca, so it’s soft and drapey–two qualities highly desirable in a blanket.
The construction is wild. Check this out.
The strand is made up of what are, essentially, four strands of two-ply lace weight. These four strands aren’t twisted together–they just lie next to one another.
There’s more. Every so often, one of the plies in one of the strands changes color.
A bit further along, a second ply changes color.
Then another, then another, and so forth until they have all changed.
The result is a slow gradient yarn, but the shifts from one color to the next are attractively speckled or flecked.
The yarn is put up into a bullseye bun from which you can work without prior winding.
I picked this colorway, Trixie, and planned a simple experiment.
KISS My Buns
Emphasis on simple. I had a boss once who was entirely useless except as a dispenser of clichéd workplace acronyms, of which his favorite was KISS, or Keep It Simple, Stupid. He used to write it all over my project proposals.
I was still feeling a little scarred from my bout with the stenciled warp, and at the top of my notes for this project I scrawled KISS.
So, what do we do with gradients? Well, one of the things we do with gradients is play them off against one another like so:
I thought I’d like to do that, too, but rather than work in stripes, I’d do this:
To join the squares, I considered join-as-you-go (JAYGO); but as is so often is the case, I had to consider portability. A JAYGO blanket very quickly becomes too large to haul around in a carry-on bag, and January through May is the time of year when my teaching schedule keeps me almost constantly away from home.
In Edie Eckman’s excellent book, Connect the Shapes Crochet Motifs, she lays out a method for joining granny squares that gives every square an additional round of double crochet, so the finished effect is side-by-side squares with minimal interruption from the join.
I decided to try it, since I imagined it would allow me to use a new bun of Concentric and run the gradient in the direction opposite the gradient used in the squares.
So Many Squares
How big would this blanket be? I decided that through the highly scientific process of choosing a size of square that seemed reasonable to work while sitting in an airplane seat (three rounds), then working an entire bun to see how many I got.
With a US Size 4 (3.5 mm) hook, I got fifty. I kept them in strict gradient order by slipping them onto a stitch holder as they were finished.
Then I did another bun’s worth, and got fifty-one. Great. I’d do a 100-square blanket. I like easy math.
In another mood, or in another month with less travel, I might have devoted a few hours to figuring out whether to keep the squares in the order they were made, or shuffle them together to make a longer gradient. Perhaps I might thrown them into the air to make them random. But sometimes you just need to make a choice. I decided to keep them in order.
To make the next step as portable as possible, I tied each strip of squares into a separate bundle.
Because I have a brain like a sieve, I also added numbered tags so I’d know in what order I should attach the bundles.
It’s never a waste of time to protect your future self from the silly things it is prone to do.
E Pluribus Unum
Edie’s book is a model of clarity. Still, I was nervous. Even with a couple projects under my belt, I find crochet charts daunting. I asked some of the crochet authorities in my address book for tips, and the replies ranged from “Oh, I never use charts. Just ignore them.” to “You don’t follow them like you do knitting charts. Just sort of look at the chart, and get an idea of what you should do, then go.”
I often wonder if I lack the moxie to crochet.
Happily, Edie offers crystal-clear written instructions. As I compared them to the chart, for the first time the fog began to clear. And the little squares began to become a big square.
After the second strip had been joined, I picked up speed and the process became–dare I say it?–fun.
And then there was one.
Now, I know people who say they don’t block crochet. I do. And I always wet block, because when I think about all the places where these squares were made, the idea of not washing the fabric thoroughly makes me green in the gills.
After blocking, I was almost perfectly happy with the project. There’s a patch where the joining rows and the squares are both the darkest grey, and thats reads to me as a black hole in the work. I’m not sure I like it.
But the fabric is cuddly beyond words.
Aside from that, three buns gave me a lap blanket (the finished dimensions are 33 inches x 33 inches) that is handsome and comforting.
Yet I do have a fourth bun sitting here. A border, perhaps?
Or something to dress up the black hole? I’m gonna go cuddle up under this and think about it.
See you in two weeks…
Tools and Materials Appearing in This Issue
HiKoo Concentric (100% Baby Alpaca; 437 yards per 200 gram cake). Shown in Color 1027 (Trixie).
He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat.
Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue Knitting, Yarn Market News, Interweave Knits, Interweave Crochet, PieceWork, Twist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.
He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).
Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.